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Biomorphic shapes geometric art9/11/2023 ![]() ![]() Her forms and ideas tend not to accept the arbitrary boundaries of the shapes as endpoints, as if each work is but a piece of a larger stencil that has the capacity to stretch over the edge of the subject. Ula Dzwonik’s work for instance, seems as Organic and primitive, characterized by “the use of distressed layers” she works towards this goal using multiple color coats forming a loud and broken surrealist image.ĭzwonik’s works often have pasty smudges-like, concentrated with larger blocks of color, creating a distinct vibrant connection to the background. Dzwonik, Giesse and RodriguezĪt ARTSPACE 8, artists, Ula Dzwonik, Martin Giesse and Fidel Rodriguez, particularly we refer to their work as “organic.” They do not aim to obfuscate the human-made aspect of their work but, through their chosen techniques and styles, accentuate their ability to create a more organic effect in their art. Rather, an “organic” production of feels as if art moves away from personal expression and emotion of the artist and towards the beauty in nature and the natural formation of color and form. The more visible the hand and brushstroke of the painter, the less organic a work becomes. However, the use of the term “organic” in art can actually help to define a “non-painterly” approach. ![]() Martin Giesse Exploring the Natural Aesthetic in ArtĪrt is often associated with the human hand, and the word “organic” might seem like a paradox when used to describe it.
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